Thursday, January 20, 2011

It's a New Cabaret - It Must be February!

A Time To Remember – Georgetown Globe Musical Productions

Rehearsing "Oklahoma" - Lois Fraser, Sharon Nimmo, Jordan Davidson, Nanci
Llewellyn, Bill McBride (person sleeping on the stage is unnamed but sure shows
how hard we Globers work!)
Submitted by Lois Fraser and Bobbie Flatt

Every February, the loyal patrons of Georgetown Globe Musical Productions nestle into the St Paul’s Parish Hall in Norval for coffee, tea, sweets and top notch entertainment and Feb 2011 is no different.

Entering a new decade, Globe is celebrating with a musical tribute to their last decade of musicals. This celebration of song featuring selections from your favourite musicals is aptly named A TIME TO REMEMBER.

A Time to Remember is a compilation of songs from EVERY musical (yes, all of them!) that Globe has done in the last decade, including: Evita (Argentina), The War Show (I’ll Be Seeing You), La Mancha (Impossible Dream), Kiss Me Kate (Too Damn Hot), Anything Goes (Kick Out of You), West Side Story (America), Oliver (As Long As He Needs Me), Crazy for You (Someone to Watch Over Me), The King and I (I Have Dreamed) Joseph ( Close Every Door) and the title songs from Oklahoma, Cabaret and Guys 'n Dolls!

There are thirty great song and dance numbers to thrill you and of course bring back memories of times spent with Globe or with your family and friends. Whether you have seen every Globe show these past 10 years or this is your first one, this show will get your feet tapping.


Tickets are $24.00, $22.00, $16.00 and are available at 905-877-3700 or www.haltonhills.ca/theatre. The show opens Feb. 4 and runs until Feb. 12 at St. Paul’s Parish Hall in Norval, near the corner of Winston Churchill and Hwy 7.

Spiderman Musical: Turn Off the Dark - Not Quite off the Ground Yet

Spiderman:  Turn Off the Dark  has endured one set-back after another during its rehearsals.

Read more about what has been going on with this famous Marvel Comic book character on Broadway:

http://gothamist.com/2011/01/20/spider-man_finale_leaves_actor_hang.php

http://broadwayworld.com/article/New_York_Magazine_to_Review_SPIDERMAN_Feb_7_20010101

http://www.cbc.ca/arts/theatre/story/2011/01/17/spiderman-criticism.html

Monday, January 17, 2011

Life at Randolph by April Clemmens

I am entering my 5th term at Randolph Academy School for the arts in the triple threat program.

April Clemmens
We study at three disciplines equally i.e., singing dancing and acting

First term was absolutely CRAZY! We got there the first day, the first class I had at Randolph was Jazz and I had never been in a class like that before, working with professionals is incredibly hard work. By the afternoon I was hurting in places I didn't know I had muscles. Then I had a my first Voice and Text class, that was very interesting. In that class we play with vowels and sounds, its basically like learning to speak all over again. Then off to a 3 hour lecture class about the History of Theatre. I am not too big of a history buff but I did enjoy learning where the art of theatre, my favourite thing to do in the world, came from. My favourite thing I learned the first day of Randolph was the DANCE OF JOY! We did this dance in Voice and Text. Its basically like the lotto dance in the Super7 commercials, but your own version, it can be anything you want it to, as long as your are moving with joy!

I learned that theatre involves paperwork. Tons and tons of paperwork. In school we learn that every action you do on stage whether it be a line or a simple step, must have a purpose behind it. A purpose that can be written down so precisely that a fellow colleague to read it and perform it the exact same way as you yourself have done. Its a long process to go through but it makes the work to true and real.

I started off going into the school as a sing first, but I have really fallen in love with acting! I love the challenge of being interesting enough to watch without even opening your mouth to speak or sing.

At school we have incredible teachers that support us and help us become what we want to become. They push us so much because they want to see us grow. Our teachers have not only studied what they teach but they themselves are masters of their craft. We learn from the best at our school. We are taught not only by talented people who work in the industry, but by everyday people who love and respect what they do.

One of the most exciting and most difficult things to do was to live on my own without my parents. No more eggs with my Dad in the morning or talking my moms ear off when she came home from work. Now I had to just use the phone. It was so exciting though, I was living with my best friend Stephanie Kroezen (another fellow globe member and recent graduate of Randolph) and I was having the time of my life. Making my own dinners, taking the TTC everywhere, buying my own groceries, it was awesome.

Every term has an end of the term show. In first term you present a Theatre History, you put on scenes from the different plays you study. Second term you present your first Cabaret, that was my favourite. Our was based on the idea of a wedding and I was lucky enough to be able to sing in a group number of Always a Bridesmaid from I love you, You're Perfect, Now Change. Third term is when you present your shakespeare show. Our class did two different plays, I got to be involved in the hour and a half version of Hamlet playing the wise best friend Horatio. Fourth term is when you do another cabaret. Our cab was centered around the idea of love and friendship and christmas. In fifth term you present a full professional version of a play. Our term is putting on Our town and the Penelopiad. This spring I will be playing the role of Telemachus in the Penelopiad. And finally in sixth term you get to put everything you have learned together and do a full musical. I am so excited for that, we are putting The Rocky Horror Show and I can't wait to do the time warp!

School is incredibly challenging and everyday you learn something new about yourself you didn't know. In order to play a character you have to know everything about the character, but most importantly you have to know yourself more. You can't play someone else if you don't know who you are. This school helped me find myself. Everyday I learned something about myself. One day I learned how to sing a high C properly and another day I learned that I have more courage than I ever dreamed I did.

This is an incredibly challenging and exhausting school but it is sooooo worth it. I cried every week in first term; some were tears of stress but most were tears of happiness and discovery. This school teaches you how to sing, dance, and act but most importantly it teaches you how to respect and take care of yourself. It helps you discover who you are.

I learned that I will never be taller than five three and I also learned that I can do anything I set my mind to.

To me performing is like getting to be a little kid for the rest of my life. I get to play dress up and use my imagination and earn money for it, who wouldn't want to do that?

Wednesday, December 8, 2010

Mary Bilik Udell

Mary has volunteered her time in costuming 42 musical productions. For the majority of these (28) she was the lead costumer and for 14 of these, she was a key player as part of a costume team. She has personally sewn over 3,000 costumes for Globe!!


Most people doing work of this nature charge the groups that they are working for. The last show that we did without Mary was Man of La Mancha and it cost us $2,000.00 to get the job done. I estimate that without Mary’s contributions, we would have had to pay between $60 and $70 thousand dollars in outside services. It is fair to say that if she had not done this, Globe would not exist today, at least not in terms of financial success and artistic success. The quality of her work has been recognized at the ACTCO Awards which covers community theatre for the entire Greater Toronto Area.


Mary is not just “all about costuming”. For many years, Mary has been in charge of our rehearsal hall. She deals with the landlord, leaky ceilings, renting out costumes to other groups, changes burnt out light bulbs…you name it. She has also volunteered on the Globe Executive for many years. She participates in the Executive’s decisions and is a key team player. Since we started the Youth Company in Jan 2009, she has been a big supporter of our youth. She has costumed their shows and also participated in our Youth Company costume workshops in 2009 and 2010, bringing 50 or more costumes out for the kids to try on and teaching them about costume design. In addition to all the aforementioned items, Mary has been singing and dancing on stage for over 20 years.


Mary is very pleasant to work with and a much beloved member of Globe. No job is too big or too small. She doesn’t get stressed or get nasty, no matter how tight the timelines are or how much work still has to be done. She simply gets her sewing machine out and stays up all night. When it is all over, she does the laundry, irons the costumes and adds them to our collection, ready for the next show to come along.


Mary lead and managed the production of costumes for:

2010-Beauty and the Beast (Youth Company)

2010- Into The Woods


2009-All You Need is Love (Cabaret), Guys and Dolls


2008-South Pacific, Ragtime, The Best Little Whorehouse in Texas


2006-Once Upon A Mattress


2005-Big The Musical, Globetrotting (Cabaret), Oklahoma


2004-Don’t Touch That Dial, The Wizard Of Oz


2003-Hooked On A Feeling 2 (Cabaret), Cabaret


2002-Waiting In The Wings (Cabaret), Evita


2001-Hooked On A Feeling 1 (Cabaret)


2000-Encore Encore (Cabaret),


Joseph And The Amazing Technicolour Dreamcoat


Crazy For You


1999-Mame


1998-The Sound Of Music, The Pajama Game


1994-Music Man


1992-South Pacific, Into The Woods


1991-My Fair Lady


And she assisted with the following:

2009-The Wizard Of Oz (Youth Company)


2004-City Of Angels


1999-Gondoliers


1997-Cabaret From A To Z (Cabaret), The Secret Garden, Crazy For You


1996-Seven Brides For Seven Brothers, Camelot


1995-Bye Bye Birdie


1995-Leader of the Pack.


1995-Pirates Of Penzance


1994-Anne Of Green Gables


1992-Grease, Oliver

Thank you, Mary, for making us all look so good! 

Sharkey's Devour New York

Beatrice, Kevin and Maeve Sharkey made a number of trips this year to the big apple, primarily to take in Broadway shows.  Here is a little insight and recommendations from Sharkey and Co.  on what to see and how to see it on your next trip!

Broadway shows the Sharkeys saw in 2010 and our ratings on a 1-5 star scale:

Next to Normal - this new-style musical/play hybrid stuns and moves you, six person cast, stark, powerful story, worth seeing more than once as we did, 5 stars


Wicked - sets, vocals and costumes continue to dazzle, eighth time seeing it over the years, just love it!, 41/2 stars


Promises, Promises - wonderful energy, v. funny, amazing dancing, great leads in Kristen Chenowith and Sean Hayes, so good we saw it twice, 41/2 stars


In the Heights - new production is strong in all areas plus has celebrity appeal, 41/2 stars


Billy Elliot - inspiring storyline with v. strong score and dancing, 41/2 stars


Chicago - both music and dancing continued to razzle dazzle us, 4 stars


Shrek - another great rollicking family show with the songs, characters and humour that you know & love from the movie, 4 stars


American Idiot - minimal plot, essentially a rock concert for those who love Greenday music, teenage heaven, 3 1/2 stars


Mary Poppins - magical family show, perfect for kids, and Mary flies! 31/2 stars


West Side Story - classic storyline well done but with nothing new added to capture your heart, 3 stars


Why and how we saw so many:


We are Broadway and New York obsessed (Maeve now has signed posters from all of the above shows adorning her room; they are signed by the cast at the stage door meet and greets.)


To feed this obsession we now know ALL of the tricks on ways to get $25 - $40 orchestra/box/front row seats via day-of-performance rush seats, student rush seats and/or lottery seats (picky stuff like when to show up and where to stand to get to the start of the line) without wasting a lot of your condensed NYC time/effort.

Each show has slightly different rules so planning when, where and what show tickets to go for is critical. Go to http://www.playbill.com/celebritybuzz/article/82428-Broadway-Rush-Lottery-and-Standing-Room-Only-Policies  or http://www.nytix.com/Links/Broadway/lotteryschedule.html#RUSH  to get started on your plan!


And when the person sitting beside you inevitably tells you about the great deal they got on their $95 seats and you paid $26.50 for yours learn to just smile and nod...


Cheers, Beatrice


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Cast of Seussical

Announcing the cast of Georgetown Globe’s Seussical 2011 Youth Production...

The Cat in the Hat - Raeanne Dingwall
Thing 1 - Katelyn Bridges
Thing 2- Victoria Szczotka
Bird Gir l- Christina Dalcourt
Bird Gir l- Colleen Newman
Bird Girl - Jeryca Anne Torres
Gertrude McFuzz - Meaghan de Chastelain
Horton, the Elephant - Trey Hackett
JoJo - Jared Doke
Mayzie LaBird - Rachel Quinn
Mr. Mayor Who - Ryan Keane
Mrs. Mayor Who - Jessica Blondin
General Gengus Khan Schmitz - Cerys Evans
Sour Kangaroo - Katrina Weisz
Little Kangaroo - Calista DeSousa
Wickersham Brother - Cameron Charrett
Wickersham Brother - Thomas Davies
Wickersham Brother - Daniel Stubbington
Vlad Valadakoff - Katelyn McMahon
Yurtle the Turtle - Holly Girvan
Cindy Lou Who - Madeleine King
The Grinch - Thomas Charrett

The Jungle Ensemble
Marissa Baptista, Brianne Cantwell, Emilie Dixon, Emilie Doucette, Catherine Goncalves, Kasandra Henson, Delainey Hewitt, Kiana Klassen, Mattea Klassen, Myra Kohler, Katie Nicol, Ashley Patitucci, Kaitlin Playter, Georgia Speer-Remes, Brandon Spriggs, Quinlan Stamp, Jocelyn Trisic

The Whos Ensemble
Shannon Bain, Melissa Brabant, Colin Cepecauer, Shaelyn Girvan, Gregory Glen, Leah Kennedy, Nadine Monette, Molly O’Brien, Meaghan Praught, Rhiana Quarrington-Craig, Samantha Rideout, Brittany Spriggs

Tickets on sale December 15, 2010 at www.haltonhills.ca/theatre or by calling (905) 877-3700.
Seussical will run from March 11 - 20, 2011 at the John Elliott Theatre in Georgetown, Ontario.

Tuesday, December 7, 2010

Excerpts from the Georgetown Independent Article - Thursday, December 2, 2010

"Four Groups Get Trillium Cash"

"Receiving funding locally are Georgetown Globe Musical Productions ($150,000), Georgetown Skating Club ($30,500), Roxy Community Music Place ($15,000) and 676 Lorne Scots Royal Canadian Army Cadets ($44,400).


Globe will receive its funding over one year to renovate and re-purpose the Georgetown Armoury in the fairgrounds. The group is renovating the building for its new home. The renovation will help improve the facility’s energy efficiency and make it more accessible to community residents.


“We are absolutely thrilled and very, very grateful,” said Georgetown Globe president Lois Fraser.


“The Trillium Foundation recognized this is an excellent project,” said Fraser. “It is going to enable us to get heating, lighting and accessible washrooms.”


Fraser said the building will be brought up to code so Globe can invite the public in for some performances.


She said although much work has already been done at the armoury, including replacing the roof and sandblasting the building’s interior, “there is still a huge amount of work to be done.”


Globe hopes to start a capital campaign in the new year to raise additional funds to complete the renovation.


Globe hopes to be in and practising in the Armoury by next September."


Ontario Trillium Foundation is an agency of the Government of Ontario.


Other Halton groups receiving funding include:
• Alzheimer Society of Hamilton and Halton— $101,100
• Children’s Aid Society of Halton— $210,000
• Halton Food for Thought— $134,000
• Halton Multicultural Council— $148,500














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